naked snail magazine

Thursday

October 8, 2026

Author: Camille Moreno

Highlights from Hallen 07: Berlin’s not-so-new Art Festival

Highlights from Hallen 07: Berlin’s not-so-new Art Festival

Camille Moreno September 9, 2026 No Comments

Hallen 07 takes over Wilhelm Hallen in Reinickendorf for the seventh time during Berlin Art Week 2026, bringing together galleries, collections, and institutions across more than 9,000 square metres. With…

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Yucen Liu and the Geological Interface

Yucen Liu and the Geological Interface

Camille Moreno May 16, 2026 No Comments

During the Han dynasty, small jade cicadas were sometimes placed into the mouths of the dead before burial. Their shedding shells were understood as a sign of rebirth, a passage…

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Hating on art really isn’t my thing…but here we are.

Hating on art really isn’t my thing…but here we are.

Camille Moreno April 29, 2026 No Comments

One word: Beeple. There’s a saying in the art world: see it in Venice, buy it in Basel. Except maybe now, it’s more like: buy it in Miami, see it…

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How Joshua Zielinski’s Sculptures Revealed My Own Millennial Angst

How Joshua Zielinski’s Sculptures Revealed My Own Millennial Angst

Camille Moreno April 23, 2026 No Comments

Medals are designed to make achievement visible. Earned, awarded, and more or less fixed in meaning, they condense ideas of achievement, honour, and recognition into a single, legible shorthand —…

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Weaving Beyond Extraction: Tingting Xiao and the Politics of Textile Thinking

Weaving Beyond Extraction: Tingting Xiao and the Politics of Textile Thinking

Camille Moreno April 11, 2026 No Comments

What does it mean for a textile to carry meaning before it is woven? In Tingting Xiao’s practice, textiles tell a story before they are touched—and in her installations, touch…

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In Conversation with Jean Katambayi Mukendi

In Conversation with Jean Katambayi Mukendi

Camille Moreno April 2, 2026 No Comments

Standing inside the solo exhibition of Jean Katambayi Mukendi, late winter sunlight spills through the tall windows on the third floor of KW Institute for Contemporary Art in Berlin. The…

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Doppelgängers and Berlin Bins: On Originality in Contemporary Art

Doppelgängers and Berlin Bins: On Originality in Contemporary Art

Camille Moreno March 12, 2026 No Comments

What happens when two artworks occupy the same conceptual and material terrain at the same time? Berlin recently offered a particularly telling — and faintly uncanny — case. At NADAN…

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From Mazunte to Weißensee: Alexander Iskin at SEXAUER

From Mazunte to Weißensee: Alexander Iskin at SEXAUER

Camille Moreno February 18, 2026 No Comments

Sea turtles live almost exclusively in the water — an ecological subversion that clashes with a culture built on display in a world that puts everything under lights. For most…

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Art at the cost of Collective Consensus? Aboriginal Expression and the Politics of Ecofeminism at Musée Rath

Art at the cost of Collective Consensus? Aboriginal Expression and the Politics of Ecofeminism at Musée Rath

Camille Moreno January 26, 2026 No Comments

In June 2017, Utrecht’s Aboriginal Art Museum (AAMU) closed its doors — permanently. Funding ran out (as it does) and the collection found a new home at the Wereldmuseum (Leiden,…

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Pierre Huyghe: Liminals

Pierre Huyghe: Liminals

Camille Moreno January 23, 2026 No Comments

Pierre Huyghe’s Liminals arrives in Berlin, carrying traces of its Venice iteration yet asserting itself as something different. Whereas Liminal unfolded Biennale-adjacent in 2024, the Berlin adaptation reconfigures itself against…

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